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In Memory of Ozzy Osbourne: The Eternal Prince of Darkness

   In Memory of Ozzy Osbourne: The Eternal Prince of Darkness Few artists have carved their names so deeply into the bedrock of rock and met...

Saturday, February 3, 2024

Remembering Wayne Kramer, GUITARISTS OF MC5 DEAD AT 75 YEARS OLD...

MC5: KICK OUT THE JAMS MOTHERFUCKERS!!!


                                                                                      VIDEO CREDIT: WAYNE KRAMER YOUTUBE


Remembering Wayne Kramer, the revolutionary rocker who kicked out the jams!!!.....

It is with great sadness that we report the passing of Wayne Kramer, the co-founder and guitarist of the MC5, one of the most influential and radical bands in rock history. Kramer died on Friday, February 2, 2024, at Cedars-Sinai hospital in Los Angeles from pancreatic cancer. He was 75 years old.

Kramer was born in Detroit, Michigan, in 1948, and grew up in a turbulent era of social unrest, racial tension, and political upheaval. He found his outlet in music, and in 1963 he formed the MC5 – short for “Motor City Five”, a tribute to their hometown – with singer Rob Tyner, guitarist Fred “Sonic” Smith, bassist Michael Davis, and drummer Dennis “Machine Gun” Thompson.

The MC5 quickly gained a reputation for their explosive live shows, which combined garage rock and blues rock with elements of psychedelia, free jazz, and radical politics. They were the house band for the White Panther Party, a militant anti-racist group that advocated for civil rights, social justice, and an end to the Vietnam War. They also performed at the infamous 1968 Democratic National Convention in Chicago, where they witnessed police brutality and riots.

The band’s debut album, Kick Out The Jams, was recorded live at Detroit’s Grande Ballroom in 1968 and released the following year. The album’s title track became their signature anthem, with its defiant “Kick out the jams, motherfuckers!” introduction. The album was controversial for its profanity and revolutionary message, and was banned by some radio stations and record stores.

The MC5 followed up with two more studio albums, Back In The USA in 1970 and High Time in 1971, both of which showcased their musical versatility and lyrical prowess. However, the band faced various challenges, such as censorship, legal troubles, drug addiction, and internal conflicts. They eventually disbanded in 1972, leaving behind a legacy that would inspire countless musicians in the punk, metal, and alternative rock scenes.

Kramer’s life after the MC5 was not easy. In 1975, he was arrested for selling drugs to an undercover federal agent and sentenced to four years in prison. During his incarceration, he learned to play piano and wrote songs. After his release, he briefly joined the funk-rock band Was Not Was, and then moved to New York, where he formed the short-lived Gang War with former New York Dolls guitarist Johnny Thunders.

Kramer spent most of the 1980s working as a carpenter, while struggling with drug addiction and depression. He eventually got sober and resumed his musical career in the 1990s, signing with punk label Epitaph and releasing several solo albums, such as The Hard Stuff, Dangerous Madness, and Citizen Wayne. He also collaborated with artists such as David Peel, Henry Rollins, and Lemmy Kilmister.

In 2003, Kramer reunited with the surviving members of the MC5, Davis and Thompson, for a tribute concert to Tyner, who had died in 1991. Smith had also passed away in 1994. The reunion show, which featured guest vocalists such as Dave Vanian, Ian Astbury, and Lemmy, was a success and led to a series of tours under the name DKT/MC5, with singers such as Mark Arm, Lisa Kekaula, and Evan Dando.

In 2018, Kramer celebrated the 50th anniversary of Kick Out The Jams with a new project called MC50, which included Kim Thayil and Matt Cameron of Soundgarden, Brendan Canty of Fugazi, Billy Gould of Faith No More, and Don Was. The band played the entire album live, as well as other MC5 classics, to rave reviews from fans and critics.

In 2022, Kramer announced that he was working on a fourth MC5 album, titled Heavy Lifting, which would be produced by Bob Ezrin and feature a new singer, Brad Brooks. He also revealed that the album would have guest appearances from Slash, Tom Morello, Vernon Reid, William DuVall, and others. The album was supposed to be released in October 2022, but was delayed due to the pandemic. Kramer said that the album was his way of pushing back against the dark times and carrying on the MC5’s legacy.

“We’ve just barely survived four catastrophic years of a failed presidency and a devastating pandemic.” Kramer said. "Brad and I started writing new music with the express purpose of pushing back against the cruelty of it all. It had become so polarised and depressing that bringing in other writers was like a hope injection.

“Nonstop touring, especially the last decade, I’ve come to understand that the music of the MC5 is as necessary as ever. It’s definitely high time to write and record new songs and to carry a message of uncompromising hard rock to fans around the world.”

Sadly, Kramer did not live to see the release of Heavy Lifting, which is now expected to come out in spring 2024. However, he left behind a rich and remarkable body of work that will continue to inspire and challenge listeners for generations to come.

Besides his musical achievements, Kramer was also a passionate advocate for prison reform and rehabilitation programs. In 2009, he co-founded Jail Guitar Doors USA, a non-profit organization that provides musical instruments and education to incarcerated individuals as a means of personal transformation. He also wrote a memoir, The Hard Stuff: Dope, Crime, The MC5, And My Life Of Impossibilities, which was published in 2018.

Kramer is survived by his wife, Margaret Saadi Kramer, and his son, Francis Bean Kramer, as well as his brother, Charles Kramer, and his sister, Kathy Kelley. He will be remembered as a visionary, a rebel, and a rock and roll legend.

Rest in peace, Wayne Kramer. You kicked out the jams, and we thank you for it.

Thursday, January 18, 2024

MIC'ING GUITAR CAB FOR LIVE PERFORMANCE...

 MIC'ING A GUITAR CAB 

FOR LIVE PERFORMANCE:




   When it comes to live performance, getting a great guitar tone is essential. And one of the most important factors in achieving that tone is properly miking up your guitar amp. Whether you're playing in a small club or on a big stage, getting the right sound from your guitar amp can make all the difference in your performance. In this article, we'll take a look at some of the best practices for mic'ing up a guitar amp on stage, and how to get the best tone possible.


Step 1: Choose the Right Mic


The first step in mic'ing up a guitar amp on stage is selecting the right microphone for the job. There are a few different types of microphones commonly used for live performance, each with their own unique sound characteristics. Here are a few to consider:


Dynamic Mics: These mics are great for live performance, as they can handle high sound pressure levels without distortion. The industry standard for guitar amp mics is the Shure SM57, which is known for its bright and punchy sound.


Condenser Mics: These mics are more sensitive than dynamic mics, and can capture more detail and nuance in the sound of your guitar amp. While they may not be as rugged as dynamic mics, they can be a great choice for more nuanced and complex performances. A popular choice for live performance is the Audio-Technica AT4053b.


Ribbon Mics: These mics are known for their smooth and warm sound, and are often used to capture the classic "vintage" tone of guitar amps. While they may not be as commonly used as dynamic or condenser mics, they can be a great choice for achieving a specific tone or sound.


Ultimately, the choice of mic will come down to personal preference and the sound you're trying to achieve. Be sure to choose a mic that can handle high sound pressure levels without distortion, as guitar amps can get quite loud on stage.



Step 2: Position the Mic


Once you've selected your mic, the next step is to position it properly in front of your guitar amp. The placement of the mic can have a significant impact on the tone and sound of your performance, so it's important to take the time to get it right. Here are a few tips for mic placement:


Position the mic off-center: Placing the mic off-center of the speaker cone can yield a more interesting and complex tone. Experiment with different positions to find the sweet spot for your particular amp and mic.


Angle the mic: Rotating the mic slightly can help capture different parts of the guitar sound, and can help reduce unwanted frequencies or harshness. Experiment with different angles to find the right balance between brightness and warmth.


Move the mic closer or farther away: Moving the mic closer to the amp will result in a more "direct" and full-bodied tone, while moving it farther away can yield a more ambient and spacious sound. Experiment with different distances to find the right balance for your performance.


Step 3: Check for Feedback


One of the biggest challenges when mic'ing up a guitar amp on stage is feedback. Feedback occurs when the sound from the amp is picked up by the mic and amplified through the PA system, creating a loop of sound that can quickly spiral out of control. To prevent feedback, it's important to take a few precautions:


Use a feedback suppressor: A feedback suppressor is a device that can detect and eliminate feedback in real time. This can be a great tool for preventing feedback in live performance situations.


Position the amp and mic properly: Make sure the amp and mic are positioned in a way that minimizes the chance of feedback. This may require some trial and error, but it's worth taking the time to get it right.


Use a noise gate: A noise gate is a device that can automatically mute the signal when it falls below a certain threshold. This can be a great tool for eliminating unwanted noise and preventing feedback.


Step 4: Monitor Your Tone


Finally, it's important to monitor your tone throughout your performance to ensure that everything sounds great. Here are a few tips for monitoring your tone:


Use in-ear monitors: In-ear monitors can provide a more accurate and consistent representation of your tone, as they eliminate variables like room acoustics and speaker placement.


Listen to recordings of your performances: Recording your performances and listening back can be a great way to evaluate your tone and make adjustments as needed.


Work with your sound engineer: Your sound engineer can provide valuable feedback and advice on how to improve your tone. Be sure to communicate with them throughout your performance to ensure that everything sounds great.


Conclusion


Mic'ing up a guitar amp on stage is both an art and a science, and takes practice and experimentation to get right. By choosing the right mic, positioning it properly, checking for feedback, and monitoring your tone throughout your performance, you can achieve a great sound that will take your live performances to the next level. Remember to trust your ears and be willing to make adjustments as needed to get the perfect tone for your performance.

How to Mic a Guitar Amplifier Cabinet...

 MIC'ING A GUITAR CAB FOR RECORDING:

   When it comes to recording guitar, one of the most essential steps is getting a great guitar tone. And a crucial part of achieving that tone is properly miking up your guitar amp. Whether you're a seasoned pro or just getting started with recording, mastering the art of miking a guitar amp can take your recordings to the next level. In this article, we'll take a look at some of the best practices for miking up a guitar amp, and how to get the best tone possible.


Step 1: Choose the Right Mic


   The first step in miking up a guitar amp is selecting the right microphone for the job. There are a few different types of microphones commonly used for miking guitar amps, each with their own unique sound characteristics. Here are a few to consider:


   Dynamic Mics: These mics are great for recording loud sources like guitar amps, as they can handle high sound pressure levels without distortion. The industry standard for guitar amp mics is the Shure SM57, which is known for its bright and punchy sound.


    Condenser Mics: These mics are more sensitive than dynamic mics, and can capture more detail and nuance in the sound of your guitar amp. While they may not be as rugged as dynamic mics, they can be a great choice for more nuanced and complex recordings. A popular choice for recording guitar amps is the AKG C414.


Ribbon Mics: These mics are known for their smooth and warm sound, and are often used to capture the classic "vintage" tone of guitar amps. While they may not be as commonly used as dynamic or condenser mics, they can be a great choice for achieving a specific tone or sound.


Ultimately, the choice of mic will come down to personal preference and the sound you're trying to achieve. Experiment with different mics and mic placements to find the right sound for your recording.


Step 2: Position the Mic


Once you've selected your mic, the next step is to position it properly in front of your guitar amp. The placement of the mic can have a significant impact on the tone and sound of your recording, so it's important to take the time to get it right. Here are a few tips for mic placement:


Position the mic off-center: Placing the mic off-center of the speaker cone can yield a more interesting and complex tone. Experiment with different positions to find the sweet spot for your particular amp and mic.


Angle the mic: Rotating the mic slightly can help capture different parts of the guitar sound, and can help reduce unwanted frequencies or harshness. Experiment with different angles to find the right balance between brightness and warmth.


Move the mic closer or farther away: Moving the mic closer to the amp will result in a more "direct" and full-bodied tone, while moving it farther away can yield a more ambient and spacious sound. Experiment with different distances to find the right balance for your recording.


Step 3: Use Multiple Mics


For more complex recordings or to capture a wider range of sound, you may want to consider using multiple mics on your guitar amp. This allows you to capture different parts of the sound and blend them together in your mix. Here are a few tips for using multiple mics:


Use different types of mics: For example, you might use a dynamic mic on the speaker cone for a punchy sound, and a condenser mic on the room for a more ambient and natural tone.


Experiment with mic placement: You can try placing the mics in different positions around the amp to capture different parts of the sound. Just be sure to check for phase issues and adjust accordingly.


Blend the mics in your mix: Once you've recorded your guitar amp with multiple mics, experiment with blending the signals together in your mix. You may find that one mic works better for certain parts of the song, or that you need to adjust the levels of each mic to get the right balance.


Conclusion


Miking up a guitar amp is both an art and a science, and takes practice and experimentation to get right. By selecting the right mic, positioning it properly, and using multiple mics when appropriate, you can capture the best possible sound from your guitar amp and take your recordings to the next level. Remember to trust your ears, and don't be afraid to try different things until you find the perfect sound for your recording.